![]() The most simple example is applying this sigil to a Geck. This sigil allows the player to get multiple sacrifices and bones out of one card. This effect is stackable, meaning that if multiple Fecundity sigils are applied to a single card, then multiple copies of that card will be added to your hand when the effect triggers. Like other sigils which trigger when a card is played, a card played via the Corpse Eater sigil's effect will trigger this sigil. It changed from True Blue (# 0065CE) to a darker Cobalt Blue (# 004EA4), and then the inscription took on a Medium Persian Blue (# 0067A5).Fecundity is a Sigil which allows a card to create a copy of itself in your hand when it is played. The color of the last three logos only appears to be the same. It is a geometric sans-serif created by typographers at the Monotype Type Drawing Office. The telecom provider’s name is written in Century Gothic Bold. ![]() The old symbol disappeared, and the company began to use only a wordmark that emphasizes its individuality. The early Bell Canada corporate identity was standardized, and based on the traditional image of a bell, it is different now. The top and bottom of the capital “B” differ in size, although the two sides were previously symmetrical. The lowercase “e” is circular, with its free end cut off at an angle of about 45 degrees. In this version, the first three letters are connected. In 2008, Don Black’s original design returned, only with new typography. The drawing symbolized the prospects for the telecommunications industry. One curved strip looked like the outline of a human face, while the other two formed an open ring. Graphic composition of several yellow lines appeared on top. So the traditional bell disappeared – its place was taken by the blue inscription “BELL.” Don Black was the author of the wordmark. 1977 – 1994Īfter the Bell Canada division split from Bell System and AT&T to become part of the BCE, its new executives abandoned a standardized corporate image. The bell acquired a modern look, expressed in a clear geometric shape and the absence of dividing lines. The designer noticed that the Bell logo became simpler and simpler every year, so he decided to make it minimalistic and removed the remaining inscriptions. ![]() It was he who once created the legendary intros to the films of Alfred Joseph Hitchcock. Saul Bass himself, who was also a director, photographer, and typographer, took over the business. In 1968, Saul Bass & Associates was commissioned to design the Bell System corporate identity. When the regional division was renamed Bell Canada, the name predictably ended up inside the bell. The text also acquired a new look: the word “SERVICE” appeared in the center, and the name of the company was written in a larger font. The bell pendant was changed in the middle of the 20th century. In 1922, the 1895 design returned, only the place of the stars was taken by maple leaves – a traditional symbol of Canada. Also, they removed the two five-pointed stars to regroup the inscription and add the abbreviation “LTD” with a period to it. ![]() The designers changed the bell’s shape, modified the font, and added additional rings to the frame. The telecom operator entered the 20th century with a new logo.
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